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scrapings (Ensemble Mimitabu)

by Max Wainwright

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about

This piece was commissioned buy Ensemble Mimitabu (Gothenburg). It is scored for violin, cello and percussion (a floor tom) with custom electronics involving contact microphones and relays as low-fi transducers. Sounds from one instrument are "sent" to another, which acts as a resonator, while both musicians manipulate their instruments according to the text score (which includes some illustrations).
The piece has four parts, which are played in pairs while the third musician rests. A fourth performer uses two stereo microphones to amplify the quiet sounds, directing them at different parts of the sounding instruments, leading to shifting timbral focuses and an "artificial" stereo image.

I consider this piece a form of acoustic microsound, where the physical textures of the instruments' surfaces are amplified using electronics, and filtered by other resonating bodies.

Performed on 7th of May 2016

credits

released May 7, 2016
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Karin Hellqvist – violin
My Hellgren – cello
Martin Salomonsson – percussion
Max Wainwright – microphones

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all rights reserved

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Max Wainwright Uppsala, Sweden

Max Wainwright is a composer and performer of experimental electronic and acoustic music, often involving free improvisation, adapting to complex systems, and making+using terrible instruments. He does solo and collaborative performances, installations, sculpture, radio pieces, chamber composition and video work. ... more

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